“As images become ubiquitous and more accessible in digital culture, their role in the creation and dissemination of knowledge across academic disciplines is growing. Academic institutions need to adapt to this change by introducing new skill sets into the undergraduate curriculum. The term visual literacy encompasses the competencies necessary to critically use, produce, and analyze images. This article surveys the current methods academic librarians are using to introduce visual literacy instruction within their institutions.”
“… the creation of separate standards for IL and visual literacy (VL) suggests a disconnect between these constructs, despite the fact that words and images often function together as information carriers. IL standards seem to address verbal literacy, while visual or media literacy addresses the information associated with visual media. Given the increase in visual content carriers, a logical step for IL instruction would be the integration of VL and IL into a seamless literacy program (Harris, 2010). The presenters will suggest ways to combine VL and IL into a rhetorically based, critical-thinking approach to information. This approach can enrich IL and critical-thinking instruction, as learners are taught to apply rigorous criteria to texts regardless of their media form.”
“The importance of images and visual media in contemporary culture is changing what it means to be literate in the 21st century. Today’s society is highly visual, and visual imagery is no longer supplemental to other forms of information. New digital technologies have made it possible for almost anyone to create and share visual media. Yet the pervasiveness of images and visual media does not necessarily mean that individuals are able to critically view, use, and produce visual content. Individuals must develop these essential skills in order to engage capably in a visually oriented society.”
“My thesis is comprised of two articles, titled “Interpreting Britomart’s Encounters with Art: The Cyclic Nature of Ekphrasis in Spenser’s Faerie Queene III,” and “Picture This, Imagine That: Teaching Visual Literacy in the Disciplines.” To communicate the urgency of the need for students to enrich proficiency at visual literacy, I provide a literature review that narrates the growing need expressed by visual literacy scholars, composition theorists, visualization theorists and specialists, and the library community for an overarching visual literacy framework that provides scaffolding and common language for students.”
“Critic John Berger’s ideas about seeing are still relevant. Many are certainly enveloped in the contemporary academic librarian’s definition of visual literacy. As one might expect, visual literacy has particular necessity for the librarian, like me, who works in a Visual Resources Center (VRC). I am very concerned with the habits of seeing among students and instructors… There are several challenges to visual literacy on campus. When these challenges are not met, there is reliance on convention and old habits. These challenges include resource unawareness, discomfort with technology, and information overload. As our VRC evolved from a slide library to a fully equipped digital media center, our ability to answer such challenges transformed.”
“Today’s undergraduates are clearly comfortable as consumers of technology and new media—purchasing ring tones for their cell phones and tunes for their iPods, text-messaging from handheld devices, scanning and tinkering with photos, keeping up with their Facebook friends and watching viral YouTube videos, sometimes all simultaneously. We share examples of classroom assignments integrated with library support services that engage today’s undergraduates with academic materials in a variety of course context. We discuss how specific arrangements of library learning spaces and alignment of space and staffing can help undergraduate students succeed with new media projects for class assignments.”